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Diversity

What are the Implications Behind Racial Colorblindness?

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People who claim they “don’t see race” when they evaluate others may think they all have similar beliefs about racial justice – but they’re very wrong, according to a new book.

In fact, the belief in “racial colorblindness” unites people who range from liberal to conservative and hardened racists to egalitarians, according to Philip Mazzocco, author of The Psychology of Racial Colorblindness: A Critical Review.

“There’s never been a racial ideology like colorblindness that unites such very different types of people,” said Mazzocco, who is an associate professor of psychology at The Ohio State University at Mansfield.

“Their beliefs are often wildly different. The only thing they all have in common is a general distaste for racial categories.”

In his book, Mazzocco outlines a new model of what it means to be racially colorblind in today’s society. He disentangles the different meanings and comes up with four categories of colorblindness: protectionist, egalitarian, antagonistic and visionary.

Mazzocco doesn’t believe that any type of racial colorblindness is good for society, although some of the four types are clearly more offensive than others. His model focuses on whites, but could be used for all races.

The fact that these different varieties have been lumped together helps explain why research findings on the issue have been so contradictory, according to Mazzocco.

“Some studies have found colorblindness is associated with higher levels of prejudice, while others have found lower levels,” he said.

“It has been really hard to figure out. That’s because these different studies were not looking at the same construct. The point is there are four types of colorblindness and not one.”

His new model bases the four types on two variables: levels of prejudice and awareness of racial inequality. Here are the types, and where they fall on those two variables:

  • Protectionist (High prejudice, low awareness): They believe interracial inequality is minimal, or the fault of minority culture. They are likely to say minorities who complain of mistreatment are “playing the race card.”
  • Egalitarian (Low prejudice, low awareness): They want racial justice and think it has been mostly achieved. As a result, they believe discussion about racial issues is no longer necessary.
  • Antagonistic (High prejudice, high awareness): They know there’s a problem with racial justice, but they are fine with it, because they believe it is their privilege as white people to be favored in society. They disingenuously use claims of colorblindness to oppose programs like affirmative action, saying that government policies shouldn’t favor one race.
  • Visionary (low prejudice, high awareness): They agree there is a racial justice problem and believe the way to overcome it is to stop emphasizing racial boundaries and differences and to focus primarily on what people have in common.

Mazzocco conducted a small internet survey of 153 Americans through Amazon’s Mechanical Turk service to determine how many people may fall into each category. He cautioned that this was a preliminary survey and not necessarily nationally representative. But he said it can give a snapshot of where Americans stand.

As expected, most participants claimed to be racially colorblind – only about 27 percent said they weren’t. The egalitarian group was the largest at 29 percent, followed by protectionist at 20 percent, visionary at 18 percent and antagonistic at 7 percent.

The fact that nearly three-quarters of Americans claim to be colorblind is a problem, Mazzocco said, because claiming you don’t see race is “a conversation ender.”

“One of the implications of racial colorblindness is that we’re not going to have a discussion about the topic. You can have two people who say they’re colorblind, one of the visionary variety and one of the antagonistic variety, with wildly different sets of belief,” he said.

“But they may think they have similar viewpoints and therefore believe that many people share their opinions. If they had a true conversation, they may find out their views aren’t so common and they might need to consider other opinions.”

Mazzocco said colorblindness of any variety is harmful because it does not recognize the myriad problems minorities face in our society.

“There are real struggles and real costs. If you pretend like race doesn’t exist, you put people who are struggling at a real disadvantage.”

One alternative to colorblindness is multiculturalism – the ideal that society tolerates and even embraces differences in culture. Under multiculturalism, people don’t pretend racial differences don’t exist – they celebrate the diversity.

Some white people have bristled at multiculturalism because they believe it means they and their culture aren’t valued, Mazzocco said. But multiculturalism can be all-inclusive in a way that says all people, including whites, are valued.

“When this inclusive form of multiculturalism has been studied, whites have reported a much more positive experience.”

Mazzocco said he hopes his book will inspire more research, now that there is a clearer idea of the different meanings of colorblindness.

“We are at a crossroads regarding our willingness to discuss race explicitly. Social scientists can make a real contribution by helping us to understand what our views are and how to talk about them.”

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Culture

Examining White Privilege: What’s the Fear?

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Dickinson student Leda Fisher asks the question “Should White Boys Still be Allowed to Talk?” in her opinion piece in the college’s daily news publication, The Dickinsonian.  Reportedly, Ms. Fisher indicates that she has received overwhelming support in response to her piece.  However, the backlash and negative comments have been swift and brutal, including calls for her expulsion.  The opinion piece has gone viral, which presents the opportunity to explore why her comments have pushed so many buttons.  Specifically, examining the role of higher education, exploring constructs related to power, and the impact of cumulative rage are issues for further consideration.

The Role of Higher Education

We expect colleges and universities to value freedom of speech, to support the development and expression of thought, and to expose students to new ideas.  However, these priorities come with challenges, including the challenge to listen while feeling uncomfortable. The evidence about white male dominance in the classroom and other life settings is clear.  Being silenced, mansplained, and not having room for diverse views are routine characteristics of school and work environments for women and people of color. It is unclear why Dickinson students would not be glad for the insight that Fisher provides about her experience, and appreciative for her courage in putting such a perspective out there. Further, as a woman of color at a majority white school, why would her vulnerability not be supported? Supporting vulnerability is also the role of students in higher education.

Power

Feminism, since its inception, has been acknowledging and understanding power.  Contemporary feminist theory speaks about the definition of power as “the capacity to produce change “ (Jean Baker Miller, 1991), and notes that power itself is not bad/wrong/evil.  In fact, there is an understanding that power is what helps us make decisions about our lives and move us forward. The distinction is made of the difference between “power over” which speaks to how one uses their power to impact themselves and others;  and the “power with” approach, where we can share in the capacity to produce individual, organizational, and collective change. “Power with” does not necessarily mean that you lose anything; it means that you gain the perspective and respect of others. As this understanding deepens, it promotes mutual benefit.

The question to those of us who are white is, can you sit quietly and really listen to the experience of someone else?  Can you share power? Just as being heard and having a voice is critical to healthy psychological development, the experience of not having a voice is also a critical experience in one’s life.  Suppressing your voice for a moment so that you can listen to another does not make you weak. It makes you vulnerable in the best possible way. It helps you to grow in your understanding of another person’s experience, and it gives you knowledge which will undoubtedly help you in future interactions with those similar and different from you.

Some of the response to the op-ed seem to focus on a perspective that Fisher is “being racist” for making generalizations about white boys, and that such generalizations are “just as bad” as the racism experienced by people of color. She has subsequently responded to this accusation with the prevailing definition of racism which speaks to systematic efforts to marginalize others based on race.

Yes, Ms. Fisher makes generalizations and it is understood that the generalizations do not apply to 100% of the white male population.  But she is naming a prevalent and universal experience a Why is it so difficult to see the position of power and privilege that white boys occupy?  I speak for myself, and not for Ms. Fisher, but it is understood that it is not your fault that you have such privilege.

It is understood that you did not ask for it, and you may not even be fully aware of it.  But you experience your privilege in most life situations. You may not even realize that there is another way to behave in the classroom that does not involve your constant contributions. Rather than defending yourself, why not take a moment for reflection and observation?  If you have privilege, you have a responsibility to understand that you have it and use it to ensure all voices are heard. This is your real power.

Rage

I suspect that part of the negative reaction may be related to the clearly articulated rage Ms. Fisher expresses in the opinion piece.  Women, and especially women of color, are not supposed to express anger, let alone rage. Again, what is the issue with listening? Awareness means knowing that the issue of women experiencing rage is occurring throughout the United States right now. There is a growing body of literature about it (ie “Good and Mad” by Rebecca Traister). The style and flavor of anger will unfold as it chooses. We may not like the way it sounds and the way it makes us feel. But we must listen.

Welcoming the contributions of students like Leda Fisher make all of us more aware, more attentive, and more self-reflective.  The journey of self-reflection is life-long, and being open to the sometimes painful but inevitable growth that comes with engaging in another person’s experience is one of the ultimate goals of higher education and beyond.

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Disability

Four Ways Neurodiversity Holds the Key to the Future of Special Education

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For ages, special education has been developing on its own, together with the development of ordinary education. It emphasizes disorders and the ways special education students are lacking compared to an average student. Those who have a noticeable dysfunction have even been mocked for their lack of focus or skill to learn something – sometimes by teachers too.

And even though the history of the special education has been filled with inappropriate names and terms, the future is bright. More and more scientists and educators are turning to the better ways of conducting special education – and one of those ways is related to neurodiversity.

This term was first used by journalist Harvey Blume in the early 1990s and means that autism, ADHD, dyslexia, and other special-needs conditions are the part of normal variations in the human population. And here is how neurodiversity changes the entire special education system.

1. In theory.

Special education as it is at the moment regards disability categories as something originated from biology, genetics, and neurology. Neurodiversity, on the other hand, focuses on the advantages these disabilities have to offer – they use this to explain why these genes are still here today and why people are still born with disabilities.

This new concept examines how a person with a disability can be lacking in some aspects but even more advanced than regular people in some. During the past decade, university programs such as London School of Economics’ Dyslexia and Neurodiversity program, or the College of William & Mary’s Neurodiversity Initiative are aimed to support neurodiverse students and create positive acceptance and niches for them.

Annabel Gray, neurodiversity specialist and educator at Origin Writings states, “Regarding a person as completely disabled is fundamentally wrong. Whereas a person with, for example, autism can be lacking in some areas of life, on a job which requires focus and attention to detail, this same person would do outstandingly well.”

2. The focus.

The focus of special education so far has been solely on assessing deficits and how to go about educating students based on these deficits. However, neurodiversity relies more on assessing the strengths, talents, abilities, and interests of disabled students. It is a strength-based approach where an educator would use a series of tests to discover the student’s abilities and teach them how to use them to tackle their everyday and educational challenges.

What is so great about neurodiversity approach is it gives the students all the necessary tools to cope with their day to day life by focusing on what they do best. This way the students are not feeling left out and they know there are some things where they can thrive in.

3. Workarounds.

Workarounds are another way the neurodiversity improves the disabled students’ lives. What it essentially means is the educators are supposed to find ways for students to experience and learn which does not include their disabilities. For example, students with ADHD could be allowed to use special tools like stability balls or standing desks in order to focus on studying.

This could be expanded to create an individual education plan for each student based on what they need and in which environment they thrive the most. Placing those students in the traditional learning environment will help them to feel “lesser human being” or a burden.

Lila Christie, an educator at 1Day2Write and WriteMyX confirms: “Workarounds are some of the best ways of teaching the disabled students. We implement this strategy of putting each student in an environment that will allow them to learn without anything in the way. It not only works but also gives students the satisfaction and comfort.”

4. How to communicate with students.

While most special education programs still teach children about their disabilities, neurodiversity teaches them about the value of variation and being different. It teaches them how their brain works and how the environment affects it, how to use their skills to the maximum etc. This kind of mindset can help them realize the growth mindset can improve their performance.

To get the brain to its full potential it is important to get the students exercising in various ways, each suited to their own abilities – writing exercises are excellent ways to improve brain power and it can be easily accessible to students through tools such as Dragon NaturallySpeaking, Windows Speech Recognition, etc.

Conclusion

Neurodiversity is a great new approach to special education. It gives students opportunities and new ways of understanding themselves. This is a fresh take on educating those with disabilities – in fact, it relies more on their abilities and strengths. It can give students confidence and tools to be successful and do more later in their lives.

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Diversity

Let’s Have Some New Gender Stories–Please

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When I was a kid, there were girls and boys, men and women. My sister was a bit of a tomboy which was hardly surprising perhaps given she had two older brothers. Truth be known, I was a bit of a sissy – not as acceptable as my sister’s gender-non-stereotypical behavior. However, apart from ‘big boys don’t cry’, I was never particularly shamed on account of it.

Those were the early 70s and 80s. Cut to the mid-80s, as puberty and adolescence coursed through my body and threw open my mind, one afternoon I was watching Ready to Roll and a new song appeared on the charts: “Do You Really Want To Hurt Me” by Culture Club. The group was fronted by this person over whom, for the next couple of weeks (there was no Google back then), I obsessed. Whether they were female or male, I really couldn’t tell.

Finally, listening to the UK Top 40, it was confirmed: Boy George was a guy and he preferred a cup of tea to sex.

Then followed others in the new romantic music scene of the 80s: Dead or Alive’s Pete Burn, Marilyn, Annie Lennox, and others. All challenged gender appearance norms in what seemed to be a sea-change of gender ambiguity. Even before my burgeoning awareness of my own sexual orientation, I remember having this growing excitement that gender, as we knew it, had changed for the better and, I was sure, or at least hopeful, it would never be the same.

Alas, the 90s intervened. The Spice Girls and Backstreet Boys fought back, re-entrenching the normative ideology that boys were boys and girls were girls. Even Blur’s “Girls Who Like Boys Who Like Boys Who Like Girls” couldn’t cut through the hysterical backlash.

Hyper-gender-role-normalcy had to be restored because, well, it had to be. In my late teens and early 20s, as I came out and became immersed in the social and political worlds of the gay scene, the only genderf*cking to be seen was the caricatured gender stereotyping of drag queens and, less commonly, drag kings.

The intriguing, creative, uncertain and unknowing story of androgyny, it seemed, had just been a phase.

Over the following couple of decades, a new phenomenon emerged: the transgender or now more openly termed trans* movement moved to the fore. Beginning, in my circle anyway, mainly with men who decided to live as women and then women who would realize that they identified as men.

Unlike androgyny, trans* people wanted to be recognized, for all intents and purposes, as the opposite gender. Most would want their birth gender to go unnoticed; a few activists would tell their story to raise awareness and lessen the stigma.

This new phenomenon medically termed gender dysphoria but politically dubbed genderqueer speaks a different story: gender isn’t what you’re born with — it’s what you think and how you feel. Sometimes they match, sometimes they don’t. If it’s the latter, it’s okay to change.

I felt compelled to write this blog is when I read a news article entitled Born in the Wrong Body, which I think signals the beginning of another new story:

  • “The parents of a seven-year-old girl are backing a decision for her to live as a boy and to medically stop puberty.
  • “If he reaches 11, 12 or 13 and decides it’s not what he wants, then he stops blockers and he’ll go through puberty as a woman,’ said the child’s mother.”

Here’s why I think it’s a new story, one which I’m excited about. Boy George and his peers told a story of growing up cis-gendered (meaning the gender they were born), but refusing to conform to gender stereotypes, particularly in appearance.

Trans* people tell the same first half of the story:

I grew up cis-gendered. (Then it changes.) It didn’t feel right. When I was old enough to be autonomous I changed my gender. I had to take hormones and have surgery to undo what puberty and adolescence did, which was to make me an adult of the gender I didn’t identify with.

This boy, the subject of the article, and Jason mentioned later, will tell a new story:

I was born a physical gender that didn’t match my identity. I was aware and my parents were open enough to understand, so took steps to allow me to grow up and go through puberty and adolescence that gave me an adult body that better matched my gender identity.

I was surprised at Georgina Beyer’s response:

“I don’t think a seven-year-old has enough life experience to understand precisely what they’re doing. I think it’s better a person gets to puberty and through puberty and then if this is continuing to develop . . . then yes, there is more of a case to be fought.”

I disagree with that stance because, all through life, we do things about which we may feel different later. If this boy gets to 15 and wants to be female, the woman he will then become will simply have another part to her story:

And then I changed my mind.

The stories we tell as humans are what sets us apart from every other species on the planet. Yet we fear to change our stories. We mindlessly ignore the influence of nurture on our social and intellectual development. We conservatively defer to nature as being statically right, rather than embracing the wonder of human nature: that we can change what nature creates for us because we have the awareness, understanding, technology and will to do so.

Changing our stories is what allows us to evolve. Our gender stories are the most basic and fundamental of all. Until we can change those, how on earth will we change the more complex stories of our diversity?

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Culture

Girls Who Run the World at London ComicCon 2018

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Geek culture has a rocky history with women. But now, women are rocking geek culture. Historically, women have faced invisibility (not the superpowered kind), exclusion, active hostility, violence, and sexualisation.

This is across video games (the communities surrounding video games), films, TV, and comic books – from sci-fi, superhero and fantasy genres. Geek culture does not ‘cause’ gender inequality. However, it does facilitate and shut down particular attitudes.

The stories we tell teach us who is important – and who is not. And now, women are taking charge of their own stories.

MCM London Comic Con

Orange is the New Black stars Tiffany Doggett (Taryn Manning) and Flaca Gonzalez (Jackie Cruz) spoke about the importance of centering women’s stories, particularly untold stories. The hit Netflix series focuses on a women’s prison, and the actors admitted that they have learned a lot about the conditions faced by incarcerated women during the filming process. There is also space to unpick gendered issues around race and class. “If you don’t see it, create it”, Jackie added, speaking of her extracurricular endeavours with music production.

Then, there were the wrestlers.

EVE  is a self-described “ground-breaking feminist-punk-rock wrestling promotion”: a pro wrestling group for women. ComicCon hosted a debut screening of Empowered, a documentary by Lea Winchcombe showcasing Rhia O’Reilly and Candy Floss. Unashamedly feminist and political, the documentary considers the challenges of being a female wrestler (stereotypes, naysayers and balancing home life), with the buzz of parading around the ring being “glamourous and outrageous”.

On being a role model for her daughter and others, EVE founder Emily Read laughed, “I am the hero, I am the strong one”.  They have opened up wrestling classes for women which build their confidence and self-esteem (irrespective of being novice, casual, professional or old hat). “Women have a place, women have a voice, and women kick ass!” she concluded. The author of this article may very well have shed a tear.

On a less physically exerting note, geek writer/actor/creator Felicia Day happily spoke about her work and creative projects alongside motherhood and her hair. Many members of the audience seemed to share with Felicia the same heartfelt and almost tangible importance of having a female role model within the industry to look up to. Felicia humbly acknowledged the praise and assured us that female representation in geek culture is changing. This was a repeated message at this year’s ComicCon – and a very believable one.

Photo Credit: GoGCast 156: Interview with Patricia Summersett and Victoria Atkin | Girls on Games

Voice actors from Pokemon, South Park (yes, April Stewart confirmed that Wendy is very well received by female fans) and Assassin’s Creed participated in discussions about their gender (of course, only as one element of the colorful spectrum of conversations).

Victoria Atkin and Patricia Summersett of the Assassin’s Creed games spoke about how “challenging” things can be in the industry – particularly to find female characters that aren’t one of the two common tropes of  “sexualised” or “butch”, but “somewhere in the middle”. They discussed wanting to be role models for women in a world where there can be little representation, with a standard gender ratio which appears to “almost compensate for having a female lead”. (Yes, Guardians of the Galaxy and Justice League, I’m looking at you – the good old ‘one woman in a group of four or five men’ trick).

Victoria and Patricia positively, and somewhat bravely considering how women can be treated for speaking up, critiqued their industry to a somewhat male-heavy press audience. These women want to be, and indeed, they are, changemakers – whilst acknowledging the hopeful message that, already, “It is changing”.

Away from the interview room in Comic Village, there was a whole host of women proudly showcasing their own work. This included everything from personal stories about one’s cat (and other pets), adventure tales, tea and romance, magic, fairies and fantasy, space and Japan. Worth a special mention in this mix was the interweaving of gender, sexuality, and race in the creations. Sexuality we may consider another time.

Olivia Duchess showcased a stall solely dedicated to beautiful, tender artwork of Black girls and women. Having been drawing since 2015, Olivia explained that “When I was growing up, I didn’t anyone who looked like me… I didn’t see a lot of Black characters,” (Susie Carmichael from Rugrats got a special mention). She continued, with a modest shrug, “I’m trying to be the change I want to see”, as though unaware of her brilliance.

The interplay of gender and race was also witnessed in other ways – for example, Letitia Wright (Princess Shuri from Black Panther), discussed the importance of  Black female presence in her film, not least the range of “strong female characters”. She agreed with an audience member, “The women were an amazing entity”, before going on to talk about the value of a “Disney Princess with cornrows”.

There was a woman so overwhelmed with emotion at meeting the badass Black Panther science princess, Letitia Wright, that she was trembling with joy. After a quick photo, she took my hand intently, asking: “Do you understand? Do you understand what this means for Black people?”

Her face was full of magic and the power of visibility. I don’t know how one heart held so much in a moment.

This theme was repeated by IvyDoomKitty in her panel on mental health with Janina Scarlett. She spoke about how she had never thought the representation of women was important in geek culture until she saw it. Before then, she was satisfied with the norm of the male superhero. Then she saw DC’s Wonder Woman: an unfurling, a stirring. A hunger revealed. As Dr. Scarlett said, in her discussion about seeing oneself in these stories, “equality sends a very powerful message that everyone is equal and everyone matters”.

I felt it too, this ComicCon. A sense of … something, resonating, muscular and powerful, yet somehow delicate and bright. The kind of visceral sensation that glows in your belly and makes you grab a stranger’s hand and ask them:

Do you understand?

ComicCon, I think you did understand. You gave women – all kinds of women – space, made us central and elevated our power.

Superwomen are here to stay. See you next year!

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Diversity

Cultural Competency in the Classroom

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A beneficial, yet challenging, factor of education today involves the increasing diversity in our schools. Because of the ever-growing demographics, teaching cultural competency has become a major focus in the classroom, especially for a public school system as vast and diverse as Montgomery County.

It’s not only students that are getting instruction on cultural competency. These lessons start at the top with administrators, curriculum writers, and educators all participating in this movement in favor of cultural awareness and appreciation.

Because culture involves a deeply personal, ingrained set of beliefs, behaviors, practices, and values, most people are at least somewhat unaware of cultures to which they do not prescribe. This is especially the case for young children who are just beginning to explore the world around them.

Culturally-responsive instruction truly begins with a look at one’s self through reflection—it isn’t until we truly understand ourselves that we can begin to understand others around us.

Build a classroom environment founded in cultural appreciation by abolishing the word “normal.”

Just because a behavior or characteristic might be our cultural norm, this does not mean that it is the “normal” or “right” way. Likewise, just because a behavior or trait may be unfamiliar to us, this does not mean that it is weird, wrong, or abnormal. Remind children that, just as we are all unique beings, our beliefs and values may cause us to speak, dress, and behave differently. Reinforce the mindset that cultural diversity provides learning opportunities that a culturally-homogeneous classroom would not necessarily have.

Because each student comes from a different upbringing, with different customs, traditions, family structures, etc., the perspectives that we can gain by embracing our peers’ cultures are limitless. If we hold one another’s culture in high esteem by valuing it as a chance to gain knowledge about something new, we no longer see our peers as “odd” or “different.” Instead, children learn to place the emphasis on the fact that a peer’s culture has provided them with information and knowledge that they would not have known otherwise.

Beef up the classroom library with culturally diverse options for students to explore.

Keep in mind that a culturally-relevant text does not receive its credit simply from the author’s culture. A novel about a child growing up during British imperialist India could provide plenty of opportunities for culturally-rich discussion—or it could oversimplify a culture or lack an important perspective all together. The key is to explore an abundance of different styles of texts, by many different authors, on a plethora of different subjects and themes. After doing plenty of research, and taking your students’ cultures into account, set up a culturally competent classroom library.  

Encourage courageous conversations surrounding cultural norms and where they originate.

For instance, when examining the protagonist throughout the course of a novel, prompt the class to ask analytical questions about the character’s motivations, thoughts, and decisions. What do we know about this character’s values, background, upbringing, family structure, etc.? How are our lives similar or different because of our own cultures? How might our own beliefs impact the way that we view or characterize the protagonist? What more would we need to know or discover about the main character in order to fully understand why she behaves a certain way?

If we take steps to expose students to diverse cultures and guide their exploration of different customs, traditions and perspectives, they will learn to embrace new ideas and better navigate our world.

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Diversity

Teaching Inclusion in the Classroom

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General education teachers are tasked with keeping many balls in the air, which is half the fun of working in a classroom—there are so many constantly moving and evolving pieces for which to account.

One of these essential pieces to ensure equitable learning for every student is inclusion. Of course, this term is nothing new to educators—we work to create an inclusive environment on a daily basis. What might be new, however, are the many ways in which we teachers can look at inclusive practices. Since every child is different, we must continue our exploration of strategies and practices that best suit the needs of all students.

One best practice that supports inclusion is to vary the output of information. By this, we mean that teachers should relay content and instruction in different ways. Some students, especially those with auditory processing difficulties, find that verbal instruction is hard to grasp. To ensure inclusion for these students’ special needs, teachers should try to present information in visual or tactile ways, in addition to the verbal instruction.

Depending on the class or lesson, this might take the form of a demonstration, video, or hands-on activity. Some skills or lesson objectives may even lend themselves to a more kinesthetic or tactile approach. Even students without an auditory processing deficiency would find it confusing to listen to a verbal explanation of cursive letter formation. A demonstrated approach to writing using clay, beads, shaving cream, etc., makes more sense.

Similarly, when teachers are introducing concepts like grammatical conventions or figurative language devices, an audio or visual approach might work better than a written explanation of how a properly formatted sentence should sound. Teachers should also practice inclusion by encouraging students to demonstrate their learning in various ways.

This means that not only is the presentation of information different for each child, but the means by which a student exhibits mastery should be individualized, as well. Some students might prefer to write a formal, organized research paper to convey their knowledge of a subject, while others might feel most comfortable presenting a visual demonstration of their topic. The key is to provide multiple opportunities for students to display their knowledge so that everyone’s learning styles are being incorporated.

Another way to look at inclusion is to utilize multiple means of engagement. For students with attention issues, memory difficulties, or other learning disabilities, engagement in the classroom can make all the difference. Engagement might mean listening to music to identify metaphors, similes, or narrative voice. A film study might help students understand a new culture or part of the world. An analysis of a slow motion field goal might help students understand kinetic energy, velocity, or other properties of physics.

The point is, when students are engaged, learning not only flourishes but behaviors and attentiveness increase, as well. Engagement also assists with moving information from short-term memory into long-term memory. Inclusion, with regard to engagement, means that teachers are not only teaching with methods for each type of learner but also appealing to each learner, so that memory of the information or skill can solidify. In order to provide engagement, there must be a level of interest on the student’s end. As different as each student’s learning style may be, so maybe their interests.

This is where building relationships with students become essential for inclusion. Cultural inclusiveness provides students with a platform to express themselves on a more personal level. This also promotes a positive classroom environment, one in which students feel heard, understood, and accepted. Cultural inclusion allows students to see beyond themselves, as well, which fosters perspective-taking.

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  • TUE 20
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