Recently, Christian Rap artist, Lecrae, reached the top of the Billboard 200 in the first week of his album release. Anomaly is the seventh contribution to conscious hip-hop from a rather prolific artist. The inspiration is that Lecrae achieved with commitment, a gift, and some savvy marketing. He achieved something I know is possible, yet so rarely gets shared.
He convinced others to share in his vision while staying true to his commitment. The result for me is twofold. In one hand, I am inspired to keep producing, holding my commitment in tact despite the voices telling me to sacrifice my ethics for certain success.
In the other hand, I have a new example of success to share—one that has popular appeal and a message that quality product trumps the chase to replicate popular trends.
My Hip-Hop Obsession
Full disclosure, I am fan of hip-hop. I revel in the culture and the music. I see it as evidence of a reality that needs to be expressed. I value even the grandiosity, the exaggeration, the hyperbole, the bragging, and, Yes, the language. I enjoy that for every mood I have, there is a baseline and string ensemble that can express my feelings.
Yes, sometimes it’s rage at a system that seems constructed to oppress me. Sometimes, I find solace in a song expressing my need to achieve beyond my wildest dreams. Sometimes, my mood relates to a song that denigrates those who doubted me or didn’t think I was worthy of investing in.
Industry & Artist Choice
Yet, I have often wondered why it seemed that the industry and artists made a point to move even further away from conscious rap presented with radio-friendly PG-13 lyrics. Instead, it seems that industry and artists have normed the over-exaggerated, curse-laden, NC-17 themes of violence, sex, and self-hatred. The simple answer back in 2008 was that it sold. Case in point is Tha Carter III, which sold over a million copies in a week. My argument in return is a request to look at the tracks. Lil Wayne tapped into something about our culture in 2008 reflected in our expectation that life would continue to get better.
Making Social Work Famous?
Lecrae didn’t make it to a million sold in one week. Figures from his chart topping sales place him in the 88,000 copies sold range. In second place was Maroon 5 with about 83,000 in sales. But, I want hip-hop industry A&R and artists (and my students, coaching clients, and others who will listen) to look at the track list for Anomaly. Lecrae taps the same formula for success that worked for Lil Wayne back in 2008. Lyricism, cursing, use of violence and sex, are choices not a requirement to make sales. To inspire sales, you have to inspire the listeners. Listen to what they are saying, and listen on the level of feelings. Produce something that reflects these feelings, AND point out a path to coping and adaptation. I almost agree with Kirk Franklin who tweeted a hashtag in response to Anomaly’s success,
— Kirk Franklin (@kirkfranklin) September 17, 2014
I see it another way. To meet the clients where they are, to support successful coping, and to point out a path to increased, sustainable success is what Social Workers do every day! To borrow, Kirk’s thought: Lecrae! #MakeSocialWorkFamous.
— Dr Michael theMentor (@MAWMedia) September 22, 2014
Lecrae’s success suggests at least two things for you Social workers who aspire to greater respect. First, keep working with your ethics in tact. Listen to clients on multiple systems levels. Create interventions at all systems levels to promote service, social justice, dignity and worth of the person, the importance of human relationships, integrity, and competence.
Second, your product is your evidence of value. Focus on improving the outcomes for your clients. Share your process for client success. Integrate the micro and the macro. Integrate the personal and professional. Get comfortable with being unpopular, while representing the most sustainable. Be an Anomaly.
New Release – ReMoved 3: Love is Never Wasted
Kevi’s story, though fictional, allowed me to paint for you a visual picture of how much it hurts to have a mother leave you all alone. It invites you to yearn with him—to share his longing to capture a woman that you know you probably never will. It shows how wildly untameably beautiful such an enigma is to her son, with her hair dancing in the wind and the scent of her teasing in and out of his existence.
Mostly, it helps you understand that there’s more to the story than just her. For kids like me, who were raised by many parents, it’s not just about our bio moms, you see. Sometimes, it isn’t even mostly about that mom. It’s also about this foster mamma who feels warm and soft and safe. It’s about how you never want to live without those feelings or her arms around you again.
Maybe it’s about that foster daddy that you just aren’t sure about. He might hurt you like all the other daddies you’ve ever known. But, maybe he won’t…
Through the Author’s Pen & Own Experience of Foster Care
My mother’s purse was her survival kit. She never forgot it.
She often forgot us. But she never forgot it.
Inside that purse, she carried an envelope. The envelope held all the things one would normally file away in the safety of their home. Instead, she carried those things—the few markers of our meager existence—in a manila in her handbag.
I suppose this was the only way for her to hold onto anything in a life where change usually happened in a moment’s notice. It wasn’t uncommon for us to ditch all of our possessions when the police discovered us living in a condemned or abandoned building. Also, as a battered woman, Mamma always had to be prepared to run on the days it seemed Daddy might actually kill her.
The purse and the envelope may have been an insignificant thing to anyone else, but for a kid like me, it proved that everything outside of it could be taken in an instant. It signified my mother, how she’d come to be, and the struggles of her life.
That’s why I made the biological mother’s purse a significant part of the story in ReMoved 3. As I wrote “Love Is Never Wasted,” I tried to infuse it with those things that would make it feel real to others who had walked a similar journey. I sought to put in specific feelings and moments that kids in foster care would really connect to.
As a foster kid, you often find yourself torn between families because each one holds a piece of what you need. You long to understand your biological parents and to know what it was like when you were budding in your mother’s womb. You have to know because, on some level, your body still remembers. The body can’t forget the place it was first fed.
Let’s not overlook, though, that you need more than roots to grow. Our bodies instinctually know this as well. We must also feel that we are safe, that nourishment is always available, and that the sun can shine most every day.
Ideally, our kiddos would get all these needs met from the same person. Sadly, that is not always the case. For the 400,000 plus kids in the U.S. foster care system a solitary caretaker will not be found to meet all their needs. Our best hope for these kids is that love can be absorbed from multiple sources. We hope that, collectively, they get enough of what they need from the world around them to grow healthy and strong.
Like Kevi’s story, my own life was changed by having multiple temporary parent figures. Though not ideal, this piecemeal parenting experience is what taught me how to love.
There were the moments that my birth mom snuggled me in bed. In the submission of sleep, she would occasionally relax and offer some warmth. These memories of cuddling my mom inspired the scenes of Kevi snuggling his birth mom in the film. Even the direst situations usually have some moments of bonding.
When my mother didn’t have any affection to give, my big brother stood in the gap. He frequently acted as a caretaker, comforting me, protecting me, and feeding me on the days everyone else forgot to. Because of my big brother, when my new little brother entered the world and cried out for protection, I knew how to answer that call.
Unfortunately, I could only answer it slightly better than our mom did. You see, I was only six. Then seven. By eight, I felt like I was dying. My enchantment with my mother began to wither, along with my body and soul. I called out to the universe for something to take me from the daily pain that she and my father put me in.
Foster care was the answer I received.
Sadly, foster care brought more pain. It’s difficult to describe the feelings that come from being ripped from one’s life source, especially when that life source is also robbing you of life. Regardless of her failures, though, she was still the first person who had held me. Now, I found myself miles from her familiarity. I frequently asked myself if anyone could love me in this strange new place, where nobody looked or acted like me and Mamma.
Some of them couldn’t love me, it seems.
Yet, some of them could and did. Some of them even did without any expectation of return. Most of them who loved me were only able to hold me for a moment in time. No matter how fleeting my time with them was or how heartbroken I was upon leaving, these people became the beautiful springtime of my memory. From each moment I got with them, I would continue to flourish and grow; although, I wouldn’t necessarily see that at the time.
Thousands of uncertain days would pass under the gloomy cloud that we call foster care. Though I acted it out differently than our character Kevi, I was a mess during most of those days.
But a new day would eventually come!
I would grow up. Slowly, I would discover that my life had been changing. As an adult, I would finally find that it was all my own. With my newfound sense of freedom and control, I would choose to become the wife to a husband who loved me selflessly.
Of all the guys I could have chosen, including the kind who may have felt more familiar, how did I know to settle on one like him? The faces of several good foster fathers smiled distantly behind the man I had chosen to spend my life with.
After years of being loved in a way I’d never felt loved before (by my husband Doug), I would become a mother. Despite the years of worry that I’d be a parent like him or her, I found that I was actually more like her and her and him. Tortured childhood and all, I was brimming with love to give, thanks to those who had poured love into me.
This forced me to ask an important question: How could a girl, who had been miserably failed by the people who gave her life, find herself building a completely different world than the one she grew up in?
The answer was clear. I had gotten to this place because an alternate reality had blown into my childhood. It had changed me. Its name was foster care. For me, foster care wound up carrying the faces of seven different homes over seven years. When I was 15, its name became adoption.
Ironically, this system of child protection that had starved me is also the very thing that helped me thrive. Foster care brought so much internal destitution, but it also brought moments of witnessing healthy, selfless, loving, human interactions.
I hope “Love is Never Wasted” reveals that even small moments with a child can show him he has a choice in how he lives his life. Because of my time in care, I now knew that there was not just one possible way to be. Throughout my foster care experiences, I had, here and there, tasted the essence of something sweeter and more fulfilling than my past life. I became hungry for more of it.
I now exist as living proof (hidden behind my stories) that love always offers nourishment and that a little bit of it can go a very long way.
A lot of it can make miracles.
A little bit of love carried me out of my tortured childhood. A lot of it led me to the place I am today and a little boy named Kevi.
The Tonight Show Makes Television History
On Thursday, September 13, 2018, Central Park was buzzing with more than just insects and birds. The SummerStage was bright with lights and music, and filled with 1,500 people. Jimmy Fallon, the host of The Tonight Show, partnered with T-Mobile to make television history.
As local New Yorkers and fans alike took their seats at Central Park SummerStage the anticipation for the beginning of the show built. This was no ordinary show – this was the first ever late-night show in Central Park. Fallon had promoted the event earlier in the week with People TV and even took Hoda Kotb and Savannah Guthrie behind the scenes.
The show began with ear-blasting cheers and applause from the audience as Jimmy Fallon took the stage. His energy radiated through the audience as he welcomed the crowd.
“Welcome to The Tonight Show at SummerStage in Central Park!”
As the crowd settled down, Fallon jumped into his monologue, introducing his guests for the night. Country music superstar Carrie Underwood and promoting her new movie “A Simple Favor”, actress Blake Lively would be joining Fallon, along with a few other surprise guests throughout the show. Playing alongside The Roots are members from none other than the New York Philharmonic.
“New York City is here tonight, ladies and gentleman!”
Like the rest of The Late Night Show’s tapings, tickets are free. Fallon kindly reminds guests who got tickets to the taping that if they paid for them, “I’m sorry, and welcome to New York City.”
Although Fallon has grown up and lived in New York all his life, he’s only been to Central Park once before. For those who weren’t familiar with the park they took some time for a quick tour and to introduce the must-see sights. The highlights?
- The Ramble – also known as where all the bodies on “Law & Order” are found.
- Hamilton Statue – or the only other place in New York City you can see Hamilton without spending $1,000.
- Strawberry Fields – where every bad guitar player in New York goes to ruin Beatles songs.
- Boathouse – where bad dates get stuck because they’re on a boat.
- Great Lawn – or as New York City dogs call it “The Master Bathroom”.
Before Fallon continued the show he took some time to thank T-Mobile.
“I wanted to thank T-Mobile for helping to make all this happen. Really, thank you, guys. They’ve been so great to us, and so, so great and fun to work with. They have so many amazing artists that work with them. You guys may have heard of one of them… Justin Beiber.”
The crowd exploded in applause again. Turns out, Fallon and Bieber were in Central Park earlier that week and decided to do a skit of their own. Dressed in disguise with wigs and mustaches, they used earpieces to dance to Bieber’s hit song “What Do You Mean”. The duo made their way through Central Park dancing, singing, and photobombing the park’s visitors. The catch? Only they could hear the music.
In addition to the skit with Bieber, Fallon introduced a new game called Name That Song Challenge. Fallon and Blake Lively went up against Carrie Underwood and surprise guest appearance, Henry Golding. The pairs faced off in a music challenge – whoever could name the song played by The Roots and The New York Philharmonic the fastest won each round.
Fallon interviewed Lively about her new movie “A Simple Favor“, her outfit the night of the movies premier, and some throwbacks including a picture of her dressed as Baby Spice. As Underwood took her spot on the couch, Fallon excitedly asked her about her new album, “Crying Pretty” which was released the same night at 12 am.
To finish off the first-ever late night show in Central Park, Underwood took the stage, performing “Love Wins” off her new album. The audience stood with pink flashing batons and bracelets in the air in honor of T-Mobile. The energy between Underwood and the audience radiated through SummerStage, Central Park.
After the taping, Fallon and Underwood performed a fun karaoke duet of “Islands in the Streams” just for the audience to enjoy. The episode aired at its usual 11:35 timeslot and was a huge success for the first of its kind. Check out clips, pictures, and tweets on #FallonCentralPark and T-Mobile’s #AreYouWithUs for additional fun clips.
Up and Vanished Season 2: A New Town, A New Case, A New Mystery
On August 7, 2015, Payne Lindsey released the first episode in his first-ever podcast. What started as an interest in film and documentaries became an inspiration after watching Netflix’s series Making a Murderer.
In an interview with Atlanta Magazine Payne says, “Watching that show, something clicked. I said, ‘I want to do that.’”
Payne’s interest in people and storytelling expanded after taking a cross-country road trip. He and two friends traveled through 20-30 states starting from Atlanta, Georgia to the West Coast and making their way back to the East Coast. The 13-minute documentary focused on the lives of local people and trying to discover what makes them happy. Once completed, they took the film titled “Our People” on the festival circuit and won the best documentary short of 2015.
As Payne began research on his next big project, he took inspiration from Making a Murderer and Googled Georgia cold cases. That’s when he found Tara Grinstead a young woman who went missing from her home on October 22, 2005.
Authorities found her front door was locked, and her cell phone was sitting in its charger. Tara’s car was found sitting under the carport, the doors unlocked, and the front seat pushed all the way back. However, her purse and keys were missing. The last time anyone heard from Tara was Saturday night at 11 pm. She was 30 years old at the time of her disappearance.
Tara was an 11th-grade high school teacher from Ocilla, Georgia, and a former beauty queen. At the time of her disappearance, there was little to no evidence found except a single latex glove in her front yard and a broken necklace inside the home.
Family, friends, and investigators had no leads. Over the last decade, law enforcement was never able to identify a suspect, creating the largest criminal case file in Georgia’s history. When Payne came across the case, investigators and law enforcement were no closer to solving the case than they were in 2005.
Payne reached out on Websleuths asking about the case and was contacted by Maurice Godwin, a private investigator hired by the Grinstead family shortly after Tara’s disappearance. From there, Payne’s Podcast began.
Maurice shared leads, contacts, and his own theories with Payne as he collected research, reached out to Ocilla locals and gathered as much information about Tara as he could. In August of 2015, episode one of Up and Vanished launched, clocking in at 5,000 downloads in the first day.
From there, Up and Vanished (UAV) took off, quickly jumping from a small side project to Payne’s full-time job as new leads, evidence, and tips sprouted. On February 24, 2016, Ryan Alexander Duke, a former student of Tara’s, was arrested with charges against Tara’s disappearance, with another arrest on Bo Dukes made in the days following. Bo Dukes is another former student from Tara’s high school and Ryan Duke’s best friend. Though Payne doesn’t take credit for the arrests, the GBI did thank all the media for keeping the case in the spotlight.
Season one concluded with Payne conducting interviews with Brooke Sheridan, Bo Duke’s girlfriend, on details of the night Tara went missing, possible motives, and the aftermath of her disappearance. The trial for Ryan Duke and Bo Dukes is still ongoing, and Payne promises updates on the trial as he moves forward with season two.
On July 31, 2017, Payne aired the last episode. In the last few minutes, he played a recording of a conversation between him and Maurice Godwin. This is what it said:
“Payne Lindsey: Hello?
Maurice Godwin: Hey Payne, Dr. Godwin here.
Payne Lindsey: Hey, what’s up, man?
Maurice Godwin: I’ve been thinking. We did some really good work on Tara’s case. There’s another case I had in mind. I’ve been looking to it for years. Maybe you and I should take a look into it.”
There has been radio silence on the upcoming season two until recently. A teaser trailer released on the UAV website for season. Viewers see choppy video footage with voice-overs from different people.
“She’s gonna turn back up. She’s gonna come back. She just went on one of these journey’s,” says one voice. “Maybe she’s in a cult somewhere and she’s just fallen off the face of the Earth and doesn’t want anybody to find her.”
“There’s just something really, really strange about this whole deal,” says another.
“Apparently there was this one guy that seen her walking off alone into the forest.”
From the clues suggested in the trailer, listeners can expect an investigation on another missing person’s case, but with fewer clues and more speculation. With the help of Maurice Godwin, Payne will likely be investigating the cold case of Kristal Anne Reisinger in the hopes of finding more answers. Season Two was release on August 20, 2018.
Deadpool, Gaymers and Girlfriends at London ComicCon
Being gay and being a geek are, you might think, quite different things. But sometimes these two aspects of identity collide, creating a wonderful spectrum of possibilities. London ComicCon 2018 raised the rainbow flag and became a sparkling example of one such space for the LGBT (Lesbian, Gay, Bisexual, and Transgender) community.
Glittery linguistic stereotypes aside, London Gaymers presented a funny, intimate and hopeful panel about LGBT gamers and the video gaming community at large.
They started with startling offline statistics from the LGBT charity Stonewall which found over 60% of university graduates return to the ‘closet’ and over a quarter are not ‘out’ at work. Conversely, the panel was comprised of Charley Hodson, Ashely Spindler, Izzy Jagan, and Nathan Costello all work in the gaming industry and all are ‘out’ in their workplaces.
So, how can we continue the good practice, and ensure that more geek workplaces are queer-friendly? “We need people leading organisations to be supportive, to be open, to be kind most of all – from the top to the very bottom”.
Working in small firms, where one is known and appreciated as a person, was seen as a Good Thing with regard to sexuality representation. At some points, the positive storytelling had an almost bashful edge – perhaps a tacit acknowledgment that this is counter to the dominant narrative of hardships.
That is: It is much more effective if someone from a dominant (or privileged) position espouses the values and principles of equality. In addition to the usual impact of management/leadership positions, a privileged individual is not subject to a fallacy of vested interest when they promote equality. Allies have “access to cultural capital, and cultural power to change the world” (well said, Ashley!).
Doesn’t that sound just like a superhero power?
Of course, some gamers in online communities may need help to adjust their belief in the ‘post-homophobic era’. That era, sadly, is currently as much of a fantasy as a crocodile shooting out bananas from its Kart in order to trip up a pink-clad princess (ten points for getting the reference). It may seem as though LGBT persons have ‘enough rights’, but the sobering statistics say otherwise.
Whilst the London Gaymers panel was in agreement that true equality is on its way, it is still in its infancy. It needs nurturing, and time, and effort… and, yes, the occasional time-out. Ashley was candid regarding the online abuse aimed at her, purely for being trans, leading to necessary banning. Likewise for times that people need to shut their comments sections or step away from the gaming community’s occasional toxicity.
A soft hug of an idea to address this comes from Overwatch. The popular first-person shooter game translates unsavoury phrases into, for example, “It’s past bedtime. Please don’t tell my Mommy” and “I feel very, very small… Please hold me”. A nudge into nonviolent communication – with humour.
Indeed, the voice actors who play Genji, Mercy and Zarya noted in their panels that the popularity of the game it partly its inclusivity and diversity – not just within the game but within its community – “There is something for everybody”.
London Gaymers suggested the Overwatch model “holds people accountable” without necessarily stepping into the shaming, combative dance which can so often play out. Banning users from chats can ‘work’ in the short term – in order to remove hate or bigotry from online spaces – however, in the longer term, change will be created by supportive re-education.
Well, that, and visibility: the old adage we’re here, we’re queer still has its place. The fact of the matter is that gay people game. “We support the industry, and the industry needs to support us too…. We deserve this respect – if we’re not getting it, demand it.”
There are, of course, different kinds of representation. It is not all about mere presence. There is the bells-and-whistles flounce of a queer archetype, whose one discerning feature is their sexuality. However, there is also the happens-to-be-gay character, whose queerness is part of ordinary – or extraordinary! – human richness.
We have seen this in television with shows such as The Wire, The Walking Dead, and Brooklyn Nine Nine. There are already games which allow same-sex romantic interactions, such Dragon Age, The Sims and more recently The Last of Us and (author favourite) Life is Strange.
The number of Gaymers who explored their gender and sexuality through The Sims (Nathan helpfully chimed in, “I’m gay, so I could make lesbians!” compared to actual lesbian Izzy, who unfortunately couldn’t) was cute to the extent of heart-warming. True sandbox play.
In short, as Nathan stated: “You can put gay characters in the game, and if the game is good, people will want it”. If an audience is interested in the story, the game will be popular.
However we must be careful about how we cater to online spaces: “It’s not a bonus if someone isn’t homophobic, transphobic, racist”. We must expect better from our online communities. Most importantly, “Sharing the positivity, enthusiasm, passion, and love we have, speaking up against injustice and misrepresentation, pulling people up to our level rather than going down to theirs” are all ways that the Gaymers think we can make a difference.
Indeed, it isn’t just video games that are changing to represent audiences. Brianna Hildebrand (Negasonic Teenage Warhead, from Deadpool and the more recent Deadpool 2) noted that she was respectfully asked by bigwigs (or biggish wigs) in the industry whether she wanted to keep quiet about her own sexuality, given the presumed response from audiences.
Brianna did not want to ‘keep quiet’ although she didn’t want to shout either. Her sexuality emerged in the public eye quite casually in a tweet which has been covered extensively elsewhere (not to be sensationalised as a ‘reveal’, mind). Responses have been supportive, and Brianna said that ComicCon 2018 had provided a platform for queer kids to talk to her about the importance of herself and her character in representing queerness in geek pop culture.
And it didn’t stop there. Not only is Brianna officially gay, but so is her character Negasonic, who was ‘outed’ in the same lowkey style. Ryan Reynolds – the characteristically ‘sweet guy’, the eponymous anti-hero, and co-writer of Deadpool 2–asked Brianna, “Hey, would you mind if we gave Negasonic a girlfriend?”.
(It is important, of course, to ask first).
Brianna claimed, with a wry smile, that she responded, “Mind?! I’m ecstatic!”.
And so, love of a feminine and lilac-becostumed variety struck the teenage warhead. Brianna discussed how they thought it would be more impactful if Negasonic’s love interest was mentioned, but ‘not a thing’. (This, by the way, has been considered by some theorists as the mark of ‘true diversity’; a celebration that neither erases nor exotifies difference).
When asked how Deadpool 2 covers such tender and sensitive issues amidst its swearing, sexuality and gratuitous violence, Brianna and Stefan Kapičić (who plays the well-mannered, gentle giant Colossus) said it’s because of the “Magic of Deadpool”. It’s the use of humour, the fact that these issues are treated as if they’re “Not a big deal”.
And it is magic. It’s the magic of fun, and fantasy, and play. It’s the fun about engaging in media that represents you – or gives you empathy to understand someone who is different to yourself.
It’s putting equality as a casual thread, not as a snazzy sideshow, the same way that the many queer vendors at ComicCon’s Comic Village market were just.. there. Not in a special LGBT section, but integrated with all the other talented artists. (Pride comics, and Joe Glass in particular, I have to give you a mention because you expertly encompassed the superhero realm with the adage, I didn’t see anything like me, so I created it. Allow me to share your creation.)
It short, pop culture is evolving, and much like an Eevee (ugh, too dated?) it comes with a range of elements. It is okay in the modern era to get your geek on. It is becoming steadily (or sporadically) more acceptable to get your gay on. And of course, at ComicCon, you can even get your gay geek on.
Call for the change you want to see – and if you can’t see it, be it. Rainbows for the win.
Is the #MeToo Movement Leaving Black Women Behind
Women have been sexually exploited for centuries and its foundation is heavily rooted in American history. But what about the black woman and her story? With all of the sexual harassment allegations and mayhem involving big names such as Weinstein, Moore, Spacey and now Matt Lauer; it should come as no surprise that black women are included in the ever growing list of victims.
However, it couldn’t be the further from the truth. It has been amazing and yet difficult to digest the responses to the black women who have come forth with allegations of sexual harassment. The skepticism and scrutiny in which many have been subjected to is both distasteful and heartbreaking. How is it that in 2017 our stories still don’t matter?
It is of strongly held opinions that the black woman was the original victim of what we now know to be sexual abuse/harassment/violence. The historic amnesia that America has denied for centuries has found a way to rear its ugly head only for the sake of whiteness and other contemporary motives yet the black woman is still forgotten.
Lest we forget that it was the black woman who was raped, killed, exploited, molested and subjugated to adapt to cultural norms that she may never receive full acceptance into despite her many contributions and heavy influence on this culture. Rooted in racist ideology that perpetuates systems of superiority, power, and control; it is evident why the black woman’s story is unbelievable.
Pair that with a century’s long narrative that has painted a picture of the black woman as an over sexualized seductress whose very anatomy is both revered and seen as threatening, and we now have plausibility to deny anything that comes out of her mouth claiming victimization. When a black woman claims that she has been victimized, why is she automatically seen as the perpetrator or instigator?
Case in point, Harvey Weinstein quickly refuted claims from Oscar-winning actress, Lupita N’yongo, but for the most part remained silent on claims from other women. It is important to note that N’yongo is the only black woman who has come forth with allegations of sexual harassment by Mr. Weinstein. Are we to believe that Weinstein had an ‘off switch’ when it came to Lupita N’yongo? Pssshhh, I think not!
Surely people are not naïve to the fact that black women have and continue to experience sexual harassment and exploitation at alarmingly high rates. In fact, a quick Google search on black women and sexual harassment will render a host of information chronicling our fight against sexual harassment.
One will even learn how it was the struggles of a collective group of black women that helped shape sexual-harassment laws and the many protections it provides on the books today. It is also important to note that when the perpetrator of sexual misconduct is a black male whose victim’s are typically black women, little to no attention is brought to these issues.
For instance, when you hear the name, R. Kelly, not only is it synonymous with music and pop culture, but you may also think ‘affinity for young girls’ as well. Despite decades of suspicion, allegations, and videos of sexual misconduct, Kelly’s career has persisted and even thrived. This is an unlikely paradox given the current environment that has resulted in many high-powered men losing nearly everything they have worked for.
Even Bill Cosby was shunned for his actions. So why the difference? Again, when you compare Kelly up against other men, the only real difference is the victims. Kelly’s victims are typically young black girls and women whose lives and stories simply don’t hold as much value as their white counterparts.
There is little doubt that the black woman’s mind body and soul has been invaded in an effort to dominate the very space that she occupies. Slavery taught us that while the black male was indeed the head of the family, leader of the tribe and physically capable to withstand formidable circumstances; it was the black woman who was the driving force behind black people’s survival.
Even still today, she has had to take on all of these roles in the absence of the black male due to the continuous assault on his life while attempting to maintain some semblance of normalcy for both herself and her family.
Somewhere along the way, black women were placed at the bottom of the barrel and devalued or perhaps she was never valued at all. Society has stripped her of every human right you can think of. She has been poked, prodded, studied, raped, exploited, coerced, deprived, abused, and so on and so forth.
History has shown us that the black woman is a part of one of the most disenfranchised groups and that despite the many strides she has made in overcoming adversity, society still seeks to invade her space, steal her virtue all while denying her claims that give truth to her existence.
Why We Are Just Learning About Harvey Weinstein?
Why has it taken almost three decades for Harvey Weinstein’s absurdities and gross sexual misconduct to come to light? He was a champion of women’s rights, an avid supporter of the progressive movement and a sought-after democratic donor. How did the people not know? Was there some oath of silence friends, colleagues, and staff members took which protected this man for so long?
While some may plead the fifth, it is clear that sexual harassment and discrimination against women is commonplace in Hollywood and unfortunately throughout mainstream and greater society, but it still doesn’t answer the question of why it took so damn long for the public to learn about Weinstein’s behavior. Sure there were non-disclosure agreements and possible gag orders that were strategically attached to pitiful sums of money to hush Weinstein’s multiple victims, but even still the question remains, Why?
Some believe that the answer is simple, misogyny. The misogynistic views that have been embedded in the very fabric of this countries DNA and have been allowed to permeate throughout American culture since this nation’s founding is definitely a good starting point. This misogynistic culture has caused many to turn a blind eye when they see it happen or remain silent when they encounter it themselves. The real kicker is that holding misogynistic views isn’t just a male-only issue.
Women perpetuate these views too which is evidenced by how many women voted for Trump despite the Access Hollywood tapes. Not that it is right, but perhaps the culture of misogyny that has persisted over the years has made it okay for both men and women to perpetuate and accept less than ethical and violent behavior against women.
With a long history of disrespect, disregard, and marginalization of women in this country, it would be ludicrous to ignore the influence that this attitude towards women has had within families, communities, and society as a whole. Despite the historical context that helps explain the 20+ years of silence, the question of why still remains. There have been many strides towards inclusion and improved parity for women. Women have continued to evolve and remain outspoken in various efforts to advocate for themselves and close disparity gaps, so again, why was this allowed to continue for so long?
Outside of the obvious cover-up and threat to one’s reputation; undoubtedly there is a certain intimidation that comes with “going public” about issues like this, especially when your livelihood, reputation, and in extreme cases, your life, is on the line. A victim is even more subdued when the perpetrator holds clout such as Weinstein, Cosby, and others who have been ousted for similar acts.
Courtney Love was WARNING about Harvey Weinstein in 2005!
“If Harvey Weinstein invites u to a private party at the Four Seasons, DON’T GO” pic.twitter.com/RK9Vruxy2T
— Chet Cannon (@Chet_Cannon) October 14, 2017
Arguably so, the tolerance for this type of behavior and misconduct is steadily dwindling and is a strong indicator as to why the people are just now learning about Weinstein’s gross behavior. Still, look at how long it has taken to get here. The tolerance for this type of behavior has to be high, for goodness sake, Trump was recorded on tape bragging about grabbing women by their meow’s, yet he was still elected the leader of the free world. This seemingly renewed assault on women has resulted in a call to action for individuals to protect rights that were hard-fought for and losing them would be a detriment.
This new movement of resistance has definitely brought light to the multiple injustices experienced by women as well as exposed several high-powered individuals and corporations for their unscrupulous behavior. However, as with any major change, hitting people in their pockets have always garnered both attention and change when all other forms of advocacy and protesting have been exhausted.
The threat of bad publicity and potential boycotts has been the impetus for many public apologizes, forced resignations/terminations, policy changes, and organizational change and perhaps is the reason why we are just learning about Weinstein’s actions. The Weinstein Company has since fired Mr. Weinstein in an effort to save face.
While the power of the purse has definitely seen many individuals stand on the side of “right” and condemn the actions of Weinstein in an effort to save face and maintain their bottom line, many of these same individuals such as Ben Affleck has been ousted for being perpetrators of illicit behavior against women themselves. So not only does the question of why still linger, but the question of what does it really take to resolve these kinds of issues arises as well? Perhaps no one at all really gave a damn about Weinstein’s actions outside of his victims and a small group of their supporters consisting of friends, family, and loved ones. For those A-list celebrities, writers, and producers who were fortunate to ”
So not only does the question of why these allegations lingered for so long is burned into our minds, but the question of what will it really take to resolve and address these kinds of issues in today’s society remains? Perhaps no one at all really gave a damn about Weinstein’s actions outside of his victims and a small group of their supporters consisting of friends, family, and loved ones.
For those A-list celebrities, writers, and producers who were fortunate to “make it” but were victimized, perhaps some made peace with their new-found success and opportunities and chose to put the Weinstein experience behind them. Either way, it’s good that the skeletons are no longer in the closet.
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